Bujinkan Kioni Dojo

Bujinkan Kioni Dojo The Bujinkan Kioni Dojo is run by Otto Cardew "Kioni"(Tree Demon). It evolved from Bujinkan Detroit Dojo in the 80's.

The Bujinkan Kioni Dojo came into existence to promote the teachings of the Bujinkan, continuously training for 27 years.

04/05/2021

Today I celebrate my 60th orbit around our star. My second birthday under Pandemic lockdown. My 50th year of Martial Arts study (half a century amazing). I will share a secret of the Martial Arts. The secret to becoming good is to never stop training. Constant and consistent training. Search for the truth. Test everything. Once you have removed the impossible, what is left no matter how improbable must be the truth. When you find the truth you must accept it and change previous beliefs that are not true. Constantly check your moral compass. I look forward to another 60 years of Martial Arts study my second love in life after my Daughter.

May you all walk in Grace and Beauty.

06/10/2020

We are training again after Covid-19 lockdown.

The theme is Rokushaku Bo (6ft. staff). we will be practicing ancient methods of social distancing. MASKS ARE MANDATORY!!!!!! Bring your Bo.

10/23/2019

Rumors are flying that we have a new leader in the Bujinkan. It is based on a post by Kacem that Ishizukia was given Menkyo Kaiden in Gyokko Ryu. He had been given Menkyo Kaiden decades ago by Soke to protect the arts when Soke was Ill and though he could die. I dont remember which ryu he got. This could be a reissuance of that Menkyo. This is all hearsay at the moment. Regardless of this rumor its just a rumor and should be treated as such. We should have confirmation of this by the time of Sokes birthday. It doesnt change your training. Its not your place to spread rumors. Wait a month and it will be confirmed. In the mean time. Just shut up and train!!!!!!! Its not official until Soke publicly says it!!! Dont fall for the knee jerk reaction of the Internet. Keep a Going!!!

05/25/2019

Martial diagnostic skills

When we first start training in the Martial Arts we are taught a series of basic stances, punches, Techniques and forms. We are not taught how to think about these basics so we never learn how to think. Thinking about why are we doing this? What advantages does it give me? What disadvantages does it give me? How does this work outside of the form, IE the mechanics. Why does it work? Again Mechanics. So this is a discussion about basic Mechanics and the Logic of testing our movements, techniques and forms.
All techniques have a starting point, we have to ask how we got here. Not just starting the technique or form from this position, then blindly following the technique or form to the perceived end result. This end result can be a roadblock for many people because if they don’t get the result by performing the technique or form they don’t know how to solve this problem. So as an example I am going to use Oni Kudaki (standing Amerikan). So after the punch we place our hands in the positions of the technique and bring the elbow towards yourself and the wrist of the same arm away from you. But if we step in to close to the Uke we bring the elbow down because we cannot compress the Humerus bone so it drops close to the torso. From this position if we try to execute the Oni Kudaki the uke and is easily resisted by drawing the elbow close to the torso. This makes the ex*****on of Oni Kudaki very hard and requires extreme strength to force your way through the resistance. Also the step you took to lower the elbow also stabilized the uke’s balance.
So if we reverse engineer the technique we eventually discover the core of the technique is to rotate the Humerus bone at the shoulder socket to lock up the tendons and muscles of the shoulder, locking it. So back step one more step so the torso is upright in alignment with gravity, so to rotate the Humerus in the shoulder socket you have to have the humerus extended out to the side parallel to the ground so the Humerus is centered in the shoulder socket. This requires that we do not step in close to the Uke, but to a position further out from the uke. Back stepping one more step once we get the arm extended we need to have a lever to rotate the Humerus in the shoulder socket. So we bend the elbow at a 90 degree angle to the extended arm. This gives use a crank that when we keep the Humerus extended and lower the wrist of uke’s arm behind them. Thus rotating the humerus in the shoulder socket until all tendons and muscles are locked and the Uke falls. So we can determine that if we move to close that we cannot execute the shoulder lock. We adjust the distance to a position where the humerus is lined up perpendicular to the torso. This could violate the form. But did it work? If so why? Don’t wait for your instructor to tell you why, or except the Bullcrap answer “Because it’s how I was taught!” or “Because it’s always been that way!” don’t put your trust in someone else’s answers unless you can verify them. It’s this verification that is very important. But in many cases to verify if the technique or form are working or not, means looking for options on how to achieve the end results. As we start this process don’t hang on to the form because doing so will limit your ability to look for options. As we start to find options some may assist us with the form we are validating and some will not. You need to look at validation sets.
The following example can be practiced while doing two person training and review of the basic Movement and techniques. You can break all the rules so you don’t have any points of exploration that remove options. If the technique is valid you will validate it through scientifically applying the proper diagnostic procedure. It’s ok to start with the form and end up doing a completely different form as a result of your findings. You may not have a deep enough understanding of the form and associated basics to perform it. The form may be flawed, or require armor to make sense why you would leave an opening for the opponent. The form maybe only practiced empty handed rather than with a weapon because weapons may have been outlawed by the Ruling Government. Keep in mind that many martial arts are centuries old and the premier weapons and armor technology of that age are not used today. Making the form not function as well as it would when equipped with that ancient technology. Example: a round house kick to the head cannot be executed by soldiers wearing full combat gear and pack. So they would use something else that works within the limitations of there gear.
Example:
What is safe?
We need to look at what the definition of safe is. This depends on the situation and environment we are in as some of the characteristics will change.
Am I safe?
Am I in a position of advantage? If not then that should be your goal to find a position that disadvantages the opponent.
What is distance?
Do I have control of the distance?
Through the use of proper footwork do you have the ability to move to positions that advantage you and disadvantage the opponent? If not study the footwork to find ways to achieve the control of the distance.
What is balance?
Do I have control of my balance?
Are you off balance? Is this by design from the opponent? If you do not have control of your balance then you need to examine why not.
Do I have control of the opponents balance?Is the opponent off balance? Do I have control or the ability to effect the opponents balance in a way to give me a positional or tactical advantage? If not you must examine why not?
Example:
How does it work?
Why does it work?
Can I recreate the technique or form?
If I cannot recreate the technique or form, why?
Again this is just an example of a diagnostic flow to examine why a technique or form is not working. It is not set in stone but a method to allow for flexible thinking and testing techniques and forms. Forms are only the place to start your training not the end result or destination. Look at what were the premier weapons and armor of that age and geographic location. Let’s look at Muay Tai. Muay Tai is famous for its brutal kicks with the shin bone. If we go back 300 years we see that soldiers of the time in the region that is modern Thailand, High temperatures limited the amount of armor worn. So small central breastplates the size of a dinner plate where used, but the important connection is when we look at their footwear. The jungles of Southeast Asia are full of cutting and slashing plants. So logic dictates that your foot and leg wear need protection. So you find all over this region metal shin guards worn by warriors and soldiers. Protects your legs up to the knee from plant and snake bites. Some of this shin guards had chisel shape so to increase pe*******on through the muscle to the bone. Now combine the use of metal shin guards and Muay Tai you see the connection. Something just got forgotten along the way. Soldiers stop wearing the metal shin guards at some point. Shin guards may have been replaced by a material to protect the legs. It also explains the conditioning of the shin to deliver these attacks. Without the shin guard Physical modification of the body is required to get similar results. Now the type of kicks, targets attacked, are effective without the shin guards. But if we add the shin armor it all of a sudden makes crystal clear logical sense. The high front kick leg block with the shin forward to the incoming attack might not be the best way to receive that attack, unless you happen to have a metal or even bamboo armor covering your shin. So if your shins can’t take the conditioning of Muay Tai you can wear soccer shin guards. No one will want to spar with you when you do. Why? Because it hurts when they get hit more than without the shin guards. This is another method for diagnosing a technique or form. I call it Martial Arts Archeology
You have to be free in your approach as to how you troubleshoot techniques and forms. Otherwise you will have limitations in your search for the truth in Martial Arts. This is your journey not someone else’s so take all advice, critique, comments and examine them but never lose sight of your final goal to survive a violent encounter. You will notice that I said survive not win the encounter. This is very important. There is a huge difference between surviving and winning a fight. In some fights the winner dies, not a desirable result for us. So how do we minimize danger in our life? The answer is Awareness! (Subject of another article).
So in conclusion you need to develop a method to validate techniques and forms that is unbiased and based in Science and Logic. I have mentioned some methods earlier in this article use those as a guide and develop new methods in your search for Martial Truth. To repeat a simple method:
How does it work?
Why does it work?
What is safe?
Am I safe?
Do I have control of my balance?
Do I have control of my opponents balance?
Do I have control of distancing and positioning to minimize vulnerabilities to the opponent?
Do I have control of the distancing and positioning to maximize vulnerabilities of the opponent?
I hope that the reader finds this interesting and useful.

05/23/2019

If you wait for tomorrow to follow your dreams, by the time that you get there they're gone. -Willie Nelson

So train like there is no tomorrow!

05/02/2019

Kyojutsu of Confidence
By Otto Cardew
Confidence is a feeling of self-assurance arising from one’s own abilities or qualities.
How do we build confidence in students so that they can execute techniques in real world encounters?
Situational sparring for getting used to being hit and receiving strikes at speed.
Focus on the Go Gyo and Kihon to make sure that basics are solid
Test the basics with simple drills, punch and Ichimonji or Jumonji etc. to show how just the Kamae being correctly employed can give them results.
So we have to train and test out abilities and qualities to the point that they are instinctive and effective. We can test this with sessions of free sparring or randori. Testing is very important and the testing itself has to be tested so that you are not making a false set of conditions that even untrained individuals can perform and thereby creating False Confidence! This is a huge problem in the Bujinkan when people describe the arts as battlefield arts. Being a prior service member I know that not all soldiers are created equal but through rigorous training, team building, adversity training, changing the rules in the middle of the encounter, they come together to be larger than the sum of their parts. Confidence in that you can solve any problem, overcome any adversity because your training has proved to you that you can.
So the false confidence of “I study battlefield martial arts” as your justification of the quality of your abilities to control the situation, is highly flawed. Put on the gear and take on bigger opponents, two or three opponents, start from highly disadvantage positions. You have to prove to yourself that your basics really work not just on someone in the dojo being a good uke. You need a resisting uke. Simple example: I grab your lapel and won’t let go. You have to finish the techniques based on how you can adapt to an unforeseen event. If you have never trained for that it will be a surprise and cause doubt.
Doubt is Negative Confidence.
Doubt creates fear.
Fear is the mind killer.
Fear will paralyze your response abilities.
You have to have so much Confidence that you are able accept that you can fail. You must accept failure as a learning tool. It’s part of your testing process. There are no perfect techniques that work 100% of the time.

Confidence can’t be achieved if you have a chip on your shoulder. You have to free yourself of any concern of what your peer’s will think of you. This is very much like your first speech in speech class, you don’t trust yourself in front of others when they are watching you. Don’t worry if your techniques are not perfect every time. Don’t worry that you just had someone counter your technique in training and you feel foolish. Many times we feel foolish and stupid when we find the answer we were looking for was in front of us the whole time. Turn some of those negative feelings around. When your technique fails you should be excited because there is something to study to find out why. This will lead to a great capability with that technique. When someone counters your technique don’t get into a contest but use that as a learning opportunity. The truth of the matter is that most people don’t take advantage of the learning opportunities that they have around them. Your Sempai are gifts to learn from not individuals to compete with. When you learn something new that you feel is obvious and feel stupid that you didn’t see it before. Think that maybe since you didn’t see it sooner there are many others like you that aren’t seeing or understanding it either. Also think that the small epiphany has just unlocked a door that your about to open and see what is on the other side. You are progressing.
Confidence is what makes up much of the mental training of martial arts. Confidence is complete faith that your skills work under duress. The only way to achieve this is to acid test all your techniques under duress. Soke many decades ago made a proclamation that all Godans and above are fair game to be attacked by the students without warning. To my knowledge this still stands today. This is a form of acid testing. You will find out if you have habits that can be used against you or telegraph your intentions. Do you always evade to the right or left? Do you have favorite techniques that you use constantly? Do you always punch with your dominate hand first?
This confidence is critical in women’s self-defense. Women are generally not as aggressive as men. This is a disadvantage that must be addressed. In the military that is a term call “Blooding the Troops” which is exposing your troops to real conflict against an adversary, gaining experience in combat. The same needs to be addressed for women’s self-defense. The training must help the student overcome the fear of a fight, fear of being hit, and fear of physical pain from combat. Fear is conquered by confidence in your abilities. If you are told your martial art is a battlefield art that will protect you, is insane if not tested and will result in failure at the moment of truth. There is a cautionary tale in the martial arts with regards to women’s self-defense. There have been women of very high rank in martial arts that were attacked and hospitalized. Their training was not adequate.
You don’t want to think you can? You want to KNOW you can!
Don’t become the victim of this Kyojutsu of Confidence.

05/01/2019

"Problems are just collections of opportunities!"

The Bujinkan Kioni Dojo is run by Otto Cardew "Kioni"(Tree Demon). It evolved from Bujinkan Detroit Dojo in the 80's. The Bujinkan Kioni Dojo came into existence to promote the teachings of the Bujinkan, continuously training for 27 years.

04/28/2019

“Don’t study the techniques as hard but what is required to bring them into existance

04/02/2019

The underlying theme of our training this year will be focused on Kukishinden Ryu Bojutsu. Interspersed with Kukishinden Ryu Hanbojutsu.

As always we will stack this on top of Go Gyo no kata and Kihon Happo the underlying foundation of the Bujinkan arts.

04/02/2019

Fights are just a collection of unscheduled problems.

11/20/2017

What is the minimum required, not the maximum available.

10/26/2017

This months study has been kihon happo (fundamentals) and its use in Shinken gata (actual combat). How do the kihon protect you in a fight. This is a result of a member of another local Bujinkan school had one of there high ranked instructors attacked and hospitalized by her boyfriend. She was unable go use any of her training to defend herself. The subject of false confidence through poor fundamentals came up. The belief that because you have rank you completely understand the fundamentals. This is worse than no training at all. This is one of the current themes of our training.

Address

Ypsilanti, MI
N/A

Opening Hours

Tuesday 7pm - 9pm
Thursday 7pm - 9pm
Sunday 7pm - 12pm

Telephone

(734)2193975

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