Broadsword Academy Denver

Broadsword Academy Denver We teach the art of the Highland Broadsword, a reconstructed historical fencing style of 18th century Notable masters are G.

Mentors: Shannon Mcdowell & Tyler Hackworth - Level 1 Mentors

Official Members of The Cateran Society: https://cateransociety.wordpress.com/official-broadsword-academy-locations/

We teach the art of the Highland Broadsword, a reconstructed historical fencing style of 18th century Scotland and Gaelic Martial Arts. The Cateran System is a simplified yet highly effective method of swordsmanship, de

signed to quickly teach raw recruits to be effective swordsmen. The core of our art is based on old fencing manuals and military drill books, while the more advanced aspects of our curriculum are inspired by hints in the lore and legends of the Gaelic people. In addition to the broadsword, we also teach the use of a number of other weapons such as the cudgel and the dirk. All of the skills and weapons we teach are based around the same underlying principles, which we refer to as the Cateran System in English, and Iomairt Airm in the Gaelic language. The Cateran System

Level I: Regimental Highland Broadsword

The techniques of the Scottish Highland Regiments in the British Army represent a simplified yet highly effective method of swordsmanship, designed to quickly teach raw recruits to be effective swordsmen. This system was not only in use with the Highland Basket-Hilted Broadsword, but also the Cavalry and Infantry Sabre, the Heavy Cavalry Sword, the Spadroon and later adopted to the Naval Cutlass too. The used manuals are mostly from the later 18th Century to the early 19th Century. Sinclair, Henry Angelo, Charles Roworth/John Taylor, Thomas Mathewson and others. Level II: Old Style Broadsword

These are the techniques used by the stage gladiators and wandering swordsmen of the Jacobite era. Although this is a more difficult style to understand and master, the intricacies of this style will improve your skill in all of our other systems. The works of masters like Donald McBane, James Miller, Thomas Page and others are mostly dating from the first half of the 18th Century. Level III: Broadsword and Targe and other Double Weapons

The Broadsword and Targe can be considered the classic Highland Clan weapon combination. This Level incluedes also other double weapons such as Broadsword and Dirk, Backsword and Buckler or Basket-Hilt Dagger, the latter two used in prizefights of the Stage-Gladiators. A highly aggressive and dynamic style of swordplay. Next to Donald McBane, James Miller and Thomas Page other sources like the Penicuik-Sketches, battlefield reports and several written accounts are part of the source material. Level IV: The MacGregor Method and other Auxiliary Arts

Level IV of our system includes all of our electives or auxiliary arts, so everything from speculative reconstructions of ancient and forgotten systems to modern combatives and self-defense. This refers especially to scottish weapons like Dirk, Lochaber-Axe and Twohanded Sword, many of them without or only little sources. But also to weapons with manual, like Smallsword of Sir William Hope, Donald McBane or Domenico Angelo. Period related weapons like Musket and Bayonet, Tomahawk, Sponton or Sergeant´s Halberd, which were in use within the Highland Regiments can be a topic, as well as Archery. Unarmed combat, inclueding traditional wrestling like Highland Backhold, Pugilism and historical self-defense is another possible part. This Level is open to experiments and developments within the historical and cultural context. Level V: Cleasa

The term “Cleasa” refers to unusual skills and techniques, hinted at in the most ancient of Gaelic legends.

02/28/2024

We are again holding classes. Currently on Wednesdays between 12 and 2 pm

11/16/2021

The Trinity of Movement in Highland Regimental Broadsword

Part 3: Mechanics

The human body only moves in so many ways. We only have so many joints, our muscles can only stretch so far, and our two legs make walking (or standing) a constant balancing act. The Mechanics aspect of the Trinity of Movement deals with the actual engineering of the body’s skeletal structure as is corresponds to power generation, balance, and efficiently moving the body through space.

Mechanics cover a lot of aspects of the human body as it’s connected to martial arts and swordsmanship; skeletal alignment to resist or redirect the attacker’s force, the order in which parts of your lower body move/relax into a step, maintaining balance in motion, power generation that doesn’t compromise balance, etc.

It’s all in the hips, really. Power generation = hips. Where the step starts (after the leg relaxes) = hips. It’s all hips. Your arms, as I talked about in the previous post, are there to manage and channel the energy from your core and not to bind it up by flexing unnecessarily. Your legs are there to move your power-generating torso into the best position for you and the worst for your opponent. Having your knees, ankles, and hips properly aligned according to the mechanics of your lower body allows you to move without losing your balance, put stress through a connected and complimentary system rather than through twisted and tense individual joints, and allow you to quickly change directions with minimal risk of injury and stumble.

In the system(s) that I was taught, we do not generate power or manage distance by pushing and twisting off the ground with our feet. Highlanders of old (and pretty much any modern soldier) had to fight on all manner of treacherous terrain. Loose rocks, sucking mud, and wet grass were (and are) constant hazards on the battlefield and demanded that a warrior take care with their footing. And they’d keep an upright, balanced posture for the same balance and weight-loading reasons.

Movements and power generation that start from the rotation of the hips rather than throwing the body’s weight forward or pushing off the ground allow for a number of advantages. It decreases the risk of slipping, makes it easier to recover after a strike/cut that doesn’t instantly end the fight (because your weight isn’t loaded up in one direction/on one leg), and it doesn’t make you reliant on having stable footing in order to be effective in battle. I had the privilege of training with a superb martial artist named Lester Cohen that could still crumble you with a body blow even from a one-legged, bent half-backwards position. Being dangerous and effective regardless of the physical situation or body orientation is something all martial artists and warriors should work towards.

11/11/2021

The Trinity of Movement in Highland Regimental Broadsword

Part 2: Relaxation

I’m sure in the annals of world folklore, there’s a story about a warrior winning a duel or battle by being asleep. I’m sure there is … but I suggest that you never want to be THAT relaxed in combat. That being said, Relaxation is the second principle in the Trinity of Movement. This DOES NOT MEAN being a limp noodle! This means using no more than the effective minimum of energy or muscular tension necessary to accomplish an action.

Jean-Claude Van Dam in most of his 80’s movies is the poster child for completely unnecessary tension. It looks dramatic and powerful on the screen, and I loved it when I was a kid. But I guarantee that if you actually strike someone with every muscle in your body tensed, only a small fraction of your power will be transferred to the target. The rest of all that potential energy will be bound up in your rigid body and tense muscles which will also make your subsequent motions (either a second attack or a defensive motion) clunky and slow.

Having a tense and rigid body also makes you much more susceptible to being affected by your opponent. I’ve often had my students grab my wrist and try to move me while I try to do my best statue impression. Because the tension runs through my whole body, they can easily push or pull me around just by controlling my wrist. But as soon as I go loose, they might still have my wrist, but the rest of my body is beyond their control.

Applying this to swordwork, relaxation allows the power generated by your body’s momentum and core motions to travel nearly unimpeded right to (and through) your weapon. You maintain just enough muscular tension in your arms and fingers to prevent the sword from flying out of your hands and enough tension in the rest of your body to maintain a good posture and an efficient pathway from where the power is generated to where that speed and momentum is needed. Relaxation (along with proper skill and technique training) will allow you to move your weapon smoothly and with flow rather than stiff, energy-wasting start-and-stop motions that are easy to read and easy to defeat.

11/08/2021

The Trinity of Movement in Highland Regimental Broadsword

Part 1: Breathing

My most influential teacher, Sensei James Williams, was fond of saying “This is the dojo of movement. That is the dojo of no movement.” He’d be pointing across the street to the funeral home when he’d say the second part. Movement is the key to life. Especially when you are dealing with someone actively trying to do you harm. We’ve all heard some version of “he’s a sitting duck!” or “be a moving target!” Targets that change their shape and move from place to place are hard to hit with sticks, stones, steel, and anything else. Targets that stay put… often stay put forever.

The trick to avoiding the dojo of no movement lies in three principles. The first of which is Breathing. Barring medical problems, everyone currently alive is at least adequate at the skill of breathing. I say “adequate” because while most people are not in danger of passing out at any moment in their day-to-day from lack of air, their ability to keep their lungs and brains and muscles supplied with oxygen during a crisis is often severely lacking. Stress and panic (and there are few things more stressful and panic-inducing than a screaming enemy charging at you with a sword) will likely cause hyperventilation or even a complete freeze in the breath. Who here has ever seen weightlifters at the gym straining at the heavy iron and nearly (or actually) passing out because they forgot to breath? *raises own hand* Who here has been punched when you’re holding your breath and punched when you’ve been breathing out or have empty lungs at impact? *raises own hand again* Which one do you prefer? I'm betting you'd prefer the latter. I certainly do.

Training for deep and steady breathing during conflict has a number of benefits. In addition to the obvious (not passing out) it’s also extremely valuable in keeping you calm. If you’re calm, the realities and opportunities in the fight become much clearer. It becomes easier to adapt to an ever-shifting situation as well as keeping your emotions in check. Not that “emotional content” has no place in a martial artist’s mind, but swordsmen who are ruled by their anger or fear are never as successful as the swordsmen who keep a cool head. Being able to keep your breathing at a deep, calm, and almost meditative pace in the heat of battle will go a long way to keeping your stress levels low, keeping your emotions under control, and allowing your mind to perceive and exploit as many opportunities and advantages in that moment of chaos as possible.

If you’re curious about martial and athletic breathing, I recommend checking out “Let Every Breath” by Vladimir Vasiliev or any resource involving Wim Hof and his methods. There’s plenty more out there, but those are ones I’ve personally had success with.

11/08/2021

Three Trinities in Highland Regimental Broadsword

In Scottish, Irish, and really all Celtic traditions, the number 3 and multiples of it were given sacred significance. The elite warriors of the Fianna were expected to hold their ground against 9 enemies. There were three geasa (cursed actions) that heralded Cuchulainn’s death. Irish and Welsh bards were the origin of the triad form of poetry. The Tuatha De Danaan were forced to retreat past nine waves before their conquest of Ireland.

In keeping with the Celtic reverence of the number 3 (and a bit of poetic inspiration which is also a theme that runs through many Celtic stories), I’ve compiled three “Trinities” that form important principles of martial arts and swordsmanship. The principles and concepts are not my own original thoughts (just the distilling of them into the “sacred” collection of 3’s). They’ve been shown to be true for me through years of learning from the superb teachers and masters of martial arts that I’ve been fortunate enough to train with as well as 20 years’ worth of personal victories, defeats, and well-earned bruises and scars.

It is my aim to bring these principles to my students through Broadsword Academy and, in doing so, honor not only my own journey and the mentors who have given me truly invaluable aid over the years, but also to honor the martial tradition of the Scottish Highlands and those that have kept it alive through history to the present day.

Over the next few weeks, I’ll be sharing a series of posts exploring the Trinity of Movement, the Trinity of Defense, and the Trinity of Combat. I hope that you’ll enjoy the subjects and perhaps even inspire you to look at your own martial practices from a different point of view.

10/23/2021

Training Event at Butterfield Crossing Park in Castle Rock on the 6th of November at 12 pm. If you are interested please message us or show up. We look forward to meeting and training with everyone at this event. This will be a training event for Broadsword Academy Colorado Springs and Denver. See you there.

07/13/2021

Training: 7/12/21 Lesson 1 Old Style/Backsword training with Tyler and Shannon

06/25/2021

Training: 6/21/21 Zoom Call Discussion of Old Style/Backsword Lessons and Training with Tyler and Shannon

06/18/2021

Training: 6/14/21 Lesson 1 Old Style/Backsword training with Tyler and Shannon

06/08/2021

Training: 6/7/21 Zoom Call Discussion of Old Style/Backsword concepts and training with Tyler and Shannon

Address

4126 Woodglen Boulevard
Northglenn, CO
80233

Opening Hours

12pm - 2pm

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