Minnesota State University, Mankato: Shotokan Karate Club

Minnesota State University, Mankato: Shotokan Karate Club The MSU Shotokan Club is an Official Organization of Minnesota State University, Mankato.

05/11/2026

No karate this week due to Campus Rec being closed. (May 9-17)

Summer hours start May 18th 5pm until 7pm Monday, Tuesday, and Thursday.

Please reach out to us if you would like to attend so that we may offer more details on our style of training.

Hutchinson tournament is coming up FAST!  https://docs.google.com/forms/d/e/1FAIpQLSf-6Rq6qU_XBfryHIUxKAnn8i0NnGMp9FAVgM...
04/19/2026

Hutchinson tournament is coming up FAST!

https://docs.google.com/forms/d/e/1FAIpQLSf-6Rq6qU_XBfryHIUxKAnn8i0NnGMp9FAVgMtbyMgoGqDe3Q/viewform?fbclid=IwVERDUARSHqdleHRuA2FlbQIxMABzcnRjBmFwcF9pZAwzNTA2ODU1MzE3MjgAAR6o86TkGq3rRT3CrBZvFDsoku2Sf1J5w8QNRpzJis7tzwWZ1mtkAPdWB2UEIA_aem_JyOXAQen8LTKXzKV_nGSTA

Event Timing: April 25, 2026 Event Address: Tracy High School 934 Pine St Tracy, MN 56175 You will receive a confirmation email upon submission. Please fill out a survey for each competitor. If you have any questions or need to change your registration, Contact Sensei Jamie Bauleke at (612) 720-6153...

04/09/2026
Scott Johnson posted this on his FB Thread.
03/27/2026

Scott Johnson posted this on his FB Thread.

11/28/2025

Jissen vs Taiiku Kata (Or, the combative expression of kata)

Iha Sensei gave the following instructions regarding kata to a group of students preparing for a test. They apply to all students.

1. Kata must be practiced with the feeling that you are being attacked. If done by the count, the teacher’s voice is the attack. However, you must practice mainly without a count to have the feeling of a fight that you can turn on and off immediately. This feeling should reflect jissen, or the actual fighting spirit of the movement. When done only for exercise it is taiiku kata. This is “not karate” he said.
2. The meaning of each kata shows itself through “no count” practice.
3. During individual kata demonstrations such as a test, one must balance between complete exhaustion and a lack of outpower. Sensei says this balance is found in your own body only if you train to complete exhaustion much of the time. He recalled that in his younger days in Okinawa he and his friends would figure out different ways to bring their bodies to the point of exhaustion. For example, they would use isometrics and see who could bring themselves to sweat first. Or they would assume various stances and push against immovable objects and see who could go longest while giving full outpower. Sometimes they would see who could break the makiwara or lift the heaviest weight. Sensei gave these examples to illustrate the point that we only grow when we put ourselves in situations where we max out on a regular basis. He asked, “What weight lifter never adds weight to the bar?” Kata, he says, is only kata if it is done in that spirit (jissen). It is a sprint, not a marathon.
4. While it’s true that at times we have to go slower to refine the technique, we must not stop there but rather understand that it is a martial technique that requires a certain balance, speed, and outpower as its end. This feeling in kata is called “ijiki”. Ijiki is this lively action that gives onlookers a sense of awe, that they can see that you are visualizing fighting when you move in kata. During a test you must demonstrate ijiki.
5. Ijiki combines breath control and a balanced and rotating center (jiku) through correct posture (head always over center) and lower abdominal awareness in the tanden (moderate pushing out from below the belly button connected to breathing). This, combined with the connection of the elbows to the body, allows for outpower to come from the hips and spine and not the shoulder and tricep. This centrifugal force is called “enshin ryoku”. Punches are not pushed out: they are whipped out (muchimi).
6. While all kata manifests kiai (the unification of focus, intention and power), part of kata demonstration is the audible kiai. It should be jarring and off setting. It is the audible manifestation of your spirit.

https://www.facebook.com/share/p/1BotCYvh7A/
11/12/2025

https://www.facebook.com/share/p/1BotCYvh7A/

When Taking a Correction
When receiving a correction from your sensei, it’s important to respond in a way that reflects openness, humility, and a willingness to grow. Over the years, I’ve observed a wide range of reactions to correction—some helpful, others less so. Unfortunately, certain responses can unintentionally undermine a student’s relationship with their teacher and even hinder their future progress.

Of course, the responsibility for teaching appropriate responses to correction ultimately lies with the teacher. Whether by explicit instruction or by cultivating a dojo culture where experienced students model good behavior, it’s essential that students are guided in how to accept corrections constructively.

With that in mind, here are several examples of what not to do when receiving a correction. These are presented in no particular order, and I’m sure you can think of a few more from your own experience.

Common Pitfalls in Responding to Correction
Jumping to the next thing.
Upon receiving a correction, the student acknowledges it, then immediately asks about something else. Fail. This signals a lack of attention and respect for the feedback. Rather than internalizing the correction, the student appears distracted or caught in their own headspace. Over time, a teacher may stop offering guidance to a student who seems not to value it.

Bringing up past methods or other dojos.
The student responds by explaining how they did it differently before, or how it was taught at their last dojo. Fail. While alternative methods can be valid, you’re here to learn this teacher’s system. Comparing approaches in this context is not only unproductive—it also takes up valuable class time and can hinder the progress of both the student and their peers.

Ignoring the correction.
The student acknowledges the correction but continues doing things the same way. Fail. Nothing speaks louder to a teacher than seeing their advice go unheeded. This behavior suggests a lack of serious intent and may lead the teacher to focus their efforts elsewhere.

Repeating the correction to others.
After being corrected, the student turns around and begins offering that same advice to fellow dojo members—often without having had time to fully absorb it themselves. Fail. Corrections are often tailored to the specific needs of an individual. Without sufficient practice or understanding, attempting to pass on the correction can cause confusion and mislead others.

Explaining yourself.
The student tries to justify why they were doing something a particular way. Fail. If the teacher needed an explanation, they would ask. Most likely, they understand exactly what the student is doing and why—and they’ve decided that a correction would be beneficial. Offering an explanation instead of listening gives the impression of disregarding the teacher’s experience.

Becoming defensive.
The student reacts with defensiveness. Fail. Corrections should never be taken as personal attacks. A good teacher wants to see you progress. If you find yourself consistently feeling attacked or belittled, it may be time for a serious conversation with your teacher—or, if necessary, to reassess the student-teacher relationship. But defensiveness in the moment is rarely productive.

Reacting emotionally.
The student responds with sadness, frustration, or anger. Fail. While these emotions are entirely human, they have no place during the moment of receiving correction. Remember: correction is a sign that your teacher cares. If they didn’t, they wouldn’t take the time and effort to help you improve—often thinking deeply outside of class about how best to guide your development.

Better Responses to Correction
So how should a student respond to correction?

Acknowledge respectfully.
Whether it’s "hai," "osu," "thank you," or another phrase used in your dojo, a vocal acknowledgment shows you’re listening and appreciate the input.

Implement it immediately.
In a group setting, make a visible effort to apply the correction right away. In solo practice, work through the correction several times before moving on. This encourages your teacher to continue guiding you.

Ask for clarification if needed.
If you don’t understand the correction, it’s perfectly okay to ask. If the timing isn’t right during class, seek clarification afterward. This demonstrates sincerity in your learning.

Practice it on your own.
Serious students train outside of class. Taking corrections home and working on them privately is a hallmark of self-discipline and responsibility for your own growth.

Continue applying it.
Show consistency. When you continue to integrate the correction into future training sessions, it reinforces to your teacher that you are absorbing their guidance—and that their time is well spent with you.

Final Thought
Not receiving corrections lately? It could mean you've mastered your art. But more likely, it may be time for some honest self-reflection. Revisit the list of common pitfalls and consider whether any of these “fails” have crept into your practice.

Correction is a gift—offered thoughtfully, often with great care. The way we receive it speaks volumes about our attitude, our humility, and our readiness to learn.

— Paul Enfield

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North Mankato, MN

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Tuesday 6pm - 8pm
Thursday 6pm - 8pm

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