04/03/2026
Traditionally, classically trained dancers often acquired contemporary skills on the job by immersing themselves in professional repertoire or working with choreographers in the creation process. Yet now, as companies program increasingly diverse works, young dancers are expected to come in already able to adapt across multiple styles. A strong base in contemporary movement, once considered a helpful asset, is now practically a prerequisite.
Here, writer Barry Kerollis takes a deep dive into how best to define contemporary dance, and how to prepare dancers to move seamlessly between classical technique and contemporary ideologies: https://dance-teacher.com/preparing-classical-dancers-for-contemporary-repertoire/ .tab=0?utm_medium=social&utm_source=facebook&utm_campaign=april
📝: Barry Kerollis for Pointe
📸: Elle Macy with Batkhurel Bold in David Dawson’s "Empire Noir." Photo by Angela Sterling, courtesy Pacific Northwest Ballet.
Image description: a male and female dancer perform a contemporary pas de deux on a darkened stage, under a pool of bright light. The man bends at the waist, lifting his right arm up and reaching around the female waist with his left arm. She dances in profile, bending at the waist, swirling her arms, and propping her left foot onto pointe. Text: Preparing Classical Dancers for Contemporary Repertoire
