06/10/2025
We've had a busy June! It's Pride Month, which means sword month. The history of fencing is (often dramatically) entwined with q***r history, especially for those who are not gender conforming. Living in denial of this means living in ignorance. One of the best and most fun examples is of Julie d'Aubigny (La Maupin) a bisexual, gender non-conforming fencer and singer whose joie de vivre, talent, and mischief is paralleled in our current press' obsession with Cole Escola. (Mission: Give Cole a sword. Maybe two.)
Julie was a marvelous duelist whose skill and exploits with the blade often came paired with her exploits in the taverns, which were both a hunting ground for dueling marks but also lovers and also dueling marks who became her lovers. Somehow she additionally managed an illustrious opera career between her affair with a young acolyte ending in literal flames and her death at maybe 37.
So why do we admire someone who so fervently flouts the laws and conventions at the time? Well easy, the laws were bad. The society of that time was so restrictive and exploitative of people, especially of women that it could only be navigated by submission or subversion. And for those of us who cannot be brought to heel like a sad dog, our only choice is to subvert. That same Ancien Regime came crashing to its knees less than 100 years later.
For a more detailed, researched and easier to read discussion on such an interesting subject, please follow the link.
LGBT Pride Month gives us an opportunity to discover a fascinating character from the early days of French opera. The life of Julie d'Aubigny (1670-1707) became a subject of interest at a time when French society began re-examining gender roles and sexual identity. Known under her stage n...