Fishing The Quiet Edge

Fishing The Quiet Edge Fishing Photography, Media, Education, Presentations.

Having been laid low in Texas with Covid-19 for several weeks, I decided it was time to sample the fishing here in Dalla...
03/06/2022

Having been laid low in Texas with Covid-19 for several weeks, I decided it was time to sample the fishing here in Dallas. A few hours fishing a reservoir with a new fishing companion yielded 10 largemouth bass. No monsters but a lot of fun and something quite different. There will be a magazine story in this adventure I'd say.

A Thursday surprise arrived in the post today. It was ordered back before Covid-19 stopped most of New Zealand in it's t...
18/06/2020

A Thursday surprise arrived in the post today. It was ordered back before Covid-19 stopped most of New Zealand in it's tracks. The studio build of my Epic FastGlass 580 fly rod has been completed, and it was packed and shipped. It's a little late to take for a walk on the Mataura now but it will get to meet the gorgeous custom Harfin reel I had made for it and I'd say that will motivate a bit of a walk somewhere fishy on a piece of water that remains open over winter. Good things come to those who wait.

This is how we chose to respond to the challenge of surviving the Covid-19 challenges... give away an issue of New Zeala...
28/05/2020

This is how we chose to respond to the challenge of surviving the Covid-19 challenges... give away an issue of New Zealand Bay Fisher to everyone. Share far and wide.

Get your digital subscription/issue of NZ Bay Fisher Magazine on Magzter and enjoy reading the Magazine on iPad, iPhone, Android devices and the web.

A Story...I wrote this story a few years back and never published it. The images were published in the form of a photo e...
27/05/2020

A Story...

I wrote this story a few years back and never published it. The images were published in the form of a photo essay in New Zealand Bay Fisher magazine.

White Gold.

It isn’t really white and it isn’t really gold… but it might as well be. When we buy it, we buy it by the gram and we seem to be willing to pay exorbitant prices for it. It isn’t easy to come by and like gold once was, it is sieved, strained and by various methods, inventive and intriguing, wrestled from the waterways of New Zealand. But none of that makes it all that comparable to gold. I think what really puts it up there alongside gold is the effect it has on people. You might have observed or felt gold fever… well, whitebait, when it’s running, has the same obsessive influence over those who fish for it and those who crave its sweet and mildly fishy flavour. Nothing brings a distant and wistful look to the eyes of the whitebait infected, as the thought of a patty fresh from the pan, brimming with fresh “bait” and roughly stuck together with egg, served on a slice of bread.
So often you will find, with the fickle nature of spring runs of whitebait, it is either a case of “no bait today but you should have been here yesterday,” or… “It’s OK today but there probably won’t be any here tomorrow.” As much as anything I think those sorts of comments are about limiting competing baiters on a riverbank rather than any real understanding of what actually drives the runs of returning juvenile galaxiids from the sea into river and stream systems around New Zealand.

On a mid-September Monday brimming with promise I decided to head to Fortrose where the Mataura River enters the sea close to the southernmost point of mainland New Zealand. The sea had been uncharacteristically calm following almost a week of mild spring days and the river had reached its lowest levels since May. The previous week had seen the river still above normal and an outing on the estuary to target sea run brown trout had ended with a tactical retreat due to a high concentration of silt in the water. My guess was that it looked like the vestiges of upcountry snow melt still being carried in a robust flow into the estuary and sea. That Monday outing was, as much as anything, about assessing the water clarity for another attempt at sea run trout and perhaps a few flounders for dinner. Adam had already indicated that we had to at least try again while he was staying with us in Invercargill.
Being a pleasant afternoon; sunshine, blue sky, still conditions, birds singing, green grass, lambs… I thought a look at the Titiroa weir to check on the status of spring run whitebait was in order, along with some nice images for a story about whitebait. The word on the riverbank, was, as expected, little to show for a lot of effort; there had been only small catches since the first few weeks of the season which opens in most places in mid-August. (The West Coast season opens later at the beginning of September while in the Chatham Islands the season is from December through to the end of February.) As I continued towards Fortrose and the outflow of the river and estuary into the sea, I continued to ponder the age old question of what induces the shoals of whitebait to “run.”

There are plenty of theories and every “baiter” possesses a wealth of anecdotal
evidence to support each hypothesis but an exact scientific explanation and understanding is still much akin to nailing down jelly. Some suggest that it is in fact related to water temperature and that snow melt plays a part… who knows, that may well be the case, (the water in the estuary was only 10 °C while we fished for trout and flounders.) It may be the phases of the moon, the size of the tides, the air pressure, the length of the days or a combination of any or all of the above which kick into gear the whitebait’s urge to fight the current and enter our waterways.
Whitebait is really a collective generic label given to the biomass of the juvenile form of five species of native freshwater fish all of which are galaxiids. The bait return to the particular part of the waterway in which they respectively live their life cycle until they spawn, laying their eggs in streamside vegetation. Those eggs subsequently hatch when they are re-immersed as a result of fresh’s and floods or spring tides and the larvae are then washed into the sea. The developed juveniles gather in the sea at their respective stream and river mouths having wintered at sea and await the “moment” when they make their upstream move in what are sometimes vast shoals of millions of individuals. In New Zealand these tiny transparent fish of just 50 mm are comprised of giant kōkopu, banded kōkopu, shortjaw kōkopu, inanga, and kōaro. At maturity when they spawn the giants among them may have reached 580 mm while others will only ever reach 150 mm.

I pulled in at the boat ramp just inside the Tois Tois harbour, otherwise known as the Fortrose estuary, eager to find out whether there were any catches from those who are content to tow a small drag net, a pair of fishermen or women in unison catching a cup or less in each drag of twenty to fifty metres in just a foot of water along the sheltered gravel beach where dribs and drabs creep up the shoreline towards the Titiroa river. Occasionally a more enterprising and patient individual will assemble a frame or box net and screens to avoid the back break and time spent in the water. On this Monday the two ladies working their drag net were rewarded at the end of each drag with bait numbering from just single digits to a few tablespoons worth. “Enough for a couple of patties for tea,” I was told. The gentleman with his frame net was making harder work of it.

There are a number of net types and designs in common use in New Zealand which range from fairly simple, lightweight and very “fold up and carry away,” through to positively industrial, requiring a winch and derrick to effectively operate. Each has its own application and locality of preference. For those who fish in the river mouths and even in the surf a “scoop net” is usually the design which is employed, some have a trap sewn into the tail and all have an open end at the tail which is tied off with a webbing strip which is easily released for emptying the catch. Scoop nets are also used by fishermen and women who use a sight board to detect shoals of bait swimming upstream in tidal water, close to the bank. The sight board is painted white and laid out a little below the surface perpendicular to the bank. When a shoal is detected the net is used to scoop the bait up from behind. Needless to say a good deal of skill is required, first to see the bait and then to scoop them up without scaring and dispersing the shoal. It’s great entertainment to watch.
Also used in estuary systems are drag nets which are a mini version of a flounder drag net up to 3.5 metres across and up to a metre deep. They work the same way as a flounder net and require two to operate. The big difference, apart from their overall size, is the mesh size… all whitebait nets use either wire or fabric netting with a mesh resembling mosquito netting, for obvious reason given the relative size of the target fish species. Sock nets with either one or sometimes two traps sewn into them and formed with metal hoops to create a conical shape are often referred to as set nets. In many cases they are fished from a stand which is actually a wharf structure which is limited in size by regulation, registered with the appropriate regional council, limited in number and traded for the equivalent of the gross domestic product of a small developing nation. The nets are set out into the waterway with screens of mesh which deflect bait travelling up the river edges, out and into the net opening.
Another type of set net is the frame or box net ranging from the small collapsible car boot size right up to heavy duty “you’re going to need a crane to lift that,” west coast models. They can either be fished in estuaries from the edge or bank or from a structure in a similar fashion to a sock net. Any other variation you can imagine is probably in existence somewhere in a tidal waterway just down the road.

It was time to move on from the boat ramp within the Fortrose estuary to the headland at the estuary mouth. Parking on the cliff top I could see five wetsuited men working scoop nets in the surf outside of the mouth in a sort of slack water corner as the tide began its push into the estuary while just inside another half dozen were scooping along the channel edge.
Each had a 20 litre bucket with a lid placed well up the gravel beach. None of these men were moving, they were stationary and just scooping into the push of the tide. Some, after 4 of five scoops were making a bee line to their respective buckets many tended by longsuffering but more than likely similarly whitebait affected spouses and partners who were engaged, sieves in hand, sorting and cleaning the catch. It became obvious that something was happening, something quite significant. I took some photos, I talked to a busy women sorting her man’s catch and found that it was on, the bait had started to run.

When a white baiter “lifts” his or her net it is called just that, a lift and the quantity of bait in the net is the measure of the productivity of a tide or a stand. The amount of bait in a lift is seriously something to be hidden, disguised and lied about. There is no such thing as common knowledge, baiters in their shelters and huts all have binoculars and are ace speculators. Information is never shared except with your tight knit and most trusted partners in crime. There is such a thing as white baiting etiquette and lore. Unwritten rules. Of course everyone will break them if they think they can without being detected. Outsiders are treated with suspicion and a camera wielded by a stranger is simply a signal to close ranks. Challenge on. I was going to get inside this “run” of bait and document it.

On a mid-September Tuesday brimming with promise I decided to head to the “Big Bend” on the lower Mataura River about four kilometres upstream from the mouth of the estuary to see what might happen there. It is the one place in Southland where way over half the whitebait stands are located and it supports a semi-permanent springtime community of often cranky, always secretive, sometimes opinionated and sometimes sage and wise fishers of the white gold delicacy. I knew the bait were running. Did they?
I stopped at the padlocked gate and met Robin back from a run into town for essential supplies and groceries. Most stands at Big Bend have accompanying “huts” which like Topsy have grown from once basic and unassuming shelters into what amount to batches accommodating the seasonal community of the whitebait afflicted. I chatted with Robin and passed on the information gathered the previous day and by the time I left him 15 minutes later he was excited and filled with anticipation, perhaps tomorrow would be the day, the morning high tide. I talked to Blue, I caught up with Chris I broke the ice with suspicious strangers, re kindled old acquaintances and bumped into people who looked familiar but to whom I could not attach a name. I was invited to share cups of coffee with biscuits and a beer or two and it was obvious, given the building anticipation that I would be back tomorrow to watch the unfolding quest for white gold. “Be here early and can you bring the newspaper with you. Here take this for your Mrs. if you are going to steal her newspaper for me.” James promised to show me how to cook a real whitebait patty and I thought he should know being the “world famous in Southland” Jimmy, of Jimmy’s seafood chowder and proprietor of South Coast Catering. I headed home, now also excited and full of anticipation and… with a packet of whitebait in my pocket; a 250gram packet of bait looks suspiciously like some sort of gastronomic “deal bag.”
The mid–September Wednesday was even more pregnant with promise than the last ewe left to lamb out the back at home and I headed of in the Landrover, paper in hand, a dozen fresh free range eggs and a dozen 330ml refreshments to acknowledge the hospitality and kindness shown to me the previous day. That’s how it works on the riverbank.
The bait were running and lifts of 2 and three kilos had been secured before I arrived at the Bend. Whitebait, however, are strange and fickle fish and while one net would catch a good lift the next would remain empty, a section of river where the breeze blew toward the bank would fire up and then go completely quiet, no rhyme or reason. It was exciting, there was relieved, albeit subdued celebration in some places, bewilderment and speculation mixed with disappointment in others and always that stoic and secretive demeanour when asked “how much did you get that lift?” I’m no idiot though… it was going very well and I did the maths like every other whitebaiter on the riverbank.
Among the highlights of that memorable morning two stand out. James did show me how to cook the perfect whitebait patty, it contained just a couple of eggs, a splash of cream salt, pepper and half a cup of white gold. They were still wriggling as the patty was prepared and the cooking began, it was a delicate process, it took time and care and the result was outstanding. I replicated it that night for Mrs. D and she agreed; that is what a whitebait patty should be like, soft and slowly cooked, sweet and chocka-block full of very small succulent fish.
An even bigger impression was yet to be made. Shortly after enjoying that magnificent whitebait patty there was yelling 100 metres down the bank from Blue on his stand. He had hit the mother-load of white gold with a once in every few years lift for the Mataura fishery where there are 400 hundred other fishers to compete with. In response to the commotion people appeared to help wrestle the tail of the net to the bank, out of the water and up the bank. Those words are still ringing in my ears… “We are going to need a bigger bucket… and Tony, bring your camera.”
20 kilograms of whitebait in a bucket do make a satisfying and quite unique susurration. It also imparts a kind of fever among the afflicted… a bit like gold fever.

Can our rivers sustain catches like this, is there enough biomass to allow for the removal of whitebait such as takes place in our waterways each spring? I think the biggest threat to the fishery is not how much we catch or how we catch it but how we treat our waterways. Rules limit the hours in which white gold can be won from the water as do restrictions on nets and how they are used. There will never be any more stands than are already registered here on Southland’s rivers. We need to realise the enemies of those succulent little fish, those galaxiids, are declining water quality and habitat destruction.
The gold may be gone from our rivers and the hills but the white gold from the rivers still captivates thousands of whitebaiters each spring and may well do into the future, if we can just moderate our greed and look after the world and the waterways we have.

© Tony Dawson and New Zealand Bay Fisher Magazine

In Southland our Blue Cod daily catch limit will reduce from 20 to 15. It's called a 'Traffic Light System' and comes in...
26/05/2020

In Southland our Blue Cod daily catch limit will reduce from 20 to 15. It's called a 'Traffic Light System' and comes into force on July 1, 2020.

22/05/2020

Beautiful Ohau Rainbow.
The accommodation is booked, it's time to do it again.

Here is a story for you. A fishing story. It's an opportunity to have a chuckle at my expense. Enjoy.Felfies… Fishing Se...
21/05/2020

Here is a story for you. A fishing story. It's an opportunity to have a chuckle at my expense. Enjoy.

Felfies… Fishing Selfies.

Oxford dictionaries named it word of the year in 2013 and it means “a self-portrait photograph, typically taken with a digital camera or camera phone held in the hand or supported by a selfie stick.” I am, of course, referring to the word selfie. The word has become universally part of the world and technological age we now live in.
One might argue that a self-portrait image made when one is not actually holding the photographic device is not technically a selfie… but that becomes both academic and irrelevant when one is faced with the task of making pictures of a fisherman catching fish when the fisherman is the only one present. The task is full of technical and logistical challenges and has given rise to both a new term (I made it up myself) and endless moments of hilarity. I reckon a fishing selfie can justifiably be called a felfie although others have laid claim to that title, farming selfies, fake selfies and family selfies to name just a few.
I have found fishing to be a profoundly relaxing and rejuvenating pursuit and solitude is something I seek out and value while fishing. I also have a passion for photography and being a storyteller and an educator the desire to use images to facilitate both is inevitable. In simpler terms that means the challenge is; how to capture quality fishing images when you fish by yourself and you are also the photographer and on many occasions the skipper as well if a boat is involved.
There is an expectation that if a story is going to be published in a fishing magazine then there will also be quality images showing such things as; the environment, tackle, techniques, action fishing shots involving an angler and images of the capture. So to bring every element together there needs to be a competent angler, a capable photographer and a skilful writer present on each fishing outing. By now you will have spotted the dilemma.
My good friend Adam, who is both an outstanding fisherman and photographer, has often reminded me that there are only so many ways you can photograph a fish if you are by yourself and there are a very limited number of angles from which to make an image if you are in a boat. Creating something fresh and interesting without being samey over time required some innovation and experimentation on my part. The felfie was born.
There are three aspects to creating quality, engaging images. The first is creative and involves the composition of an image. The second is technical and involves knowing and using the full capability of your image making device to capture all the digital data you will need to create a great image. The operator also needs to be able to achieve some essential basics; focus, depth of field and exposure, the operator and technology working together. Then there is the third part which is post production; that is, using editing software to get the very best out of the digital data the operator captured on the device.
Early on I wanted to make some video clips of techniques which I wanted to demonstrate. They would involve the process from beginning to end. Casting, hooking, playing and landing, as well as some commentary. I wanted to end up with unedited clips so that it was obvious that there was no editing magic involved. The first attempts were on the boat on a lake and it became apparent there was lots to learn. The first pitfalls were field of view, the weather (Fiordland is very wet) and capturing quality sound even when it was wet and windy and while cameras were contained in weatherproof housings.
This evolved to riverbank clips with all of the same elements. I remember the day I went to one of my honey holes and fished a nymph through some favourite ripples below a particular pool on the Oreti. It would have been comical to watch had there been anyone there to see. First I needed to be aware of the field of view of the sports action camera and ensure that it was set correctly on a tripod in the river. I had to make sure that wasn’t going to get swept away; aluminium tripods are not that heavy and nor is a GoPro camera and neither are expendable. Then I carefully fished through the field of view of the camera. Every few casts I put the fly rod down, moved the camera and repeated the process. It was both tedious and successful. Playing a fish and landing it within the field of view was largely guesswork. I caught 4 trout on the footage recorded. I was really pleased… until, when editing the footage I realised that across the top of every panorama were a set of very imposing and ugly power pylons and cables. Oh well, some things we learn the hard way.
If I could capture footage of myself fishing and catching fish then it seemed that doing so with a still camera should be doable as well.
Photographing captured trout on a riverbank was relatively easy. Except that first I had to carry a camera everywhere I fished, including wading rivers. As you can imagine it isn’t always that easy to keep an expensive DSLR camera slung over your shoulder out of the way while fly fishing and out of the water when landing and netting fish. I recall the day, having caught a beautiful brown trout on a fly, attempting a photograph of the capture on the bank where a mass of vibrant red fibrous willow roots formed a profuse mat on the water’s edge. Backgrounds with colour and interest are everything. It proved nearly impossible to keep the fish alive and healthy swimming it frequently in the net in the water, then posing it on the bank for a quick couple of shots before it either slipped back into the water, flapped or needed to be returned to the water in the net for a breather. It is always my desire to photograph fish alive and release them again in good condition. I took maybe 10 shots of that fish; not one was in focus correctly positioned or acceptably exposed. Shiny fish in sunlight are not easy to capture in an image. All that effort and no result to show for it. Oh well, some things we learn the hard way.
The next fishing selfie challenge was when I decided that I wanted a particular shot for a particular story. In my mind’s eye it was a shot of myself casting a lure and recording the moment the lure splashed down in the water. I wanted the perspective of the shot to focus on the splashdown in the foreground with the angler, me, in the background. That meant shooting an image of me fishing while I took the photographs. I needed to figure out a way to activate the shutter with precise timing and ensure at the same time that all the camera settings would capture quality data at the best possible settings to achieve the depth of field, focus and exposure… while there was no one behind the camera… because I would be fishing. In the end I used a programmable shutter release module which plugs into the camera. I had a run through of camera settings and images made using the timer on the shutter release on the lawn at home to ensure it was doable, that the images would be good enough and that I was confident I could capture the shot on the river. Unfortunately one of my cats, Harley decided to help. He couldn’t resist the lure I kept casting at the camera on the lawn which kept flashing. The lure was armed with double super sharp #14 trebles; we nearly suffered a cat-tastrophe. Oh well, some things we learn the hard way.
Having figured out how this would work best, next came the trip to the river. When I arrived the river was high and discoloured and it had filled in several backwaters to depth of perhaps two feet. I set up the camera on the tripod with the shutter release module programmed and activated and set about capturing a splashdown image while I was casting. What I hadn’t counted on was accidentally hooking, playing and landing several fish while casting across the backwater toward the camera. I forgot all about the series of images being captured at 5 second intervals and in the end captured not only a splashdown but several good quality fish as well.
Much the same happened when I was set up to capture some fly fishing images for another story. On this occasion I was nymphing a shallow edge along a grassy bank when I hooked played and landed a nice brown trout. As my confidence has grown and the process has become more refined it is becoming easier to make images of me fishing and catching trout. It seems to be a matter of knowing where a fish might be, setting up the camera for a shot, setting it all in motion and then catching the trout. Adam suggested that maybe I had been tempted to cheat and tie a rock on the line to get the shot. I can say without hesitation that no, I have been able to manage about 4 or five actual hook up and captures while the camera has been set up to make felfies. Oh well, some things we learn by trying over and over till we get it right.
There have been occasions when for promotional purposes an image has been required of an angler using or wearing a piece of angling equipment or apparel. I decided that if I could catch fish and photograph it then these promotional shots should be a doddle… no fish involved. The challenge I found was not to make an image which looked posed. I hope no one ever saw that poser in the river taking photographs of himself without even attempting to catch any fish. Oh well, some things we do hoping no one ever sees us while we are doing them.
Some of the felfies were images that needed to be made on the boat either at sea or on a lake. The challenges then have been to do with backgrounds, there are some things you can’t get rid of like outboard motors, and the “perfect” backdrop seems to keep moving, none of which can be seen at the time the camera is making the image. The other comical aspect is to do with trying to keep a fish alive and in healthy condition, compose the shot and drive the boat at the same time. That isn’t too much of a problem when you have lots of water to work with but there is usually a breeze and often, on the lakes at least, that breeze is blowing the boat towards the shoreline where the fish was caught. While all this is going on the angler / photographer / skipper has to maintain a cool calm and collected demeanour knowing full well a bit of a bump is only ever seconds away. On lake Te Anau over Labour weekend while fishing, making pictures and a video of waterfall fishing around the lake Kristina said to me, “I don’t know how you do it all on your own without getting into trouble.” Who said I don’t get myself into a bit of a bind from time to time? Oh well, some things we learn by getting ourselves into trouble then getting ourselves out of it again.
Some of the most engaging images of fish are not the captured fish held in a grin and grip pose but while they are either in the water or as they are netted. For someone observing an angler / photographer / skipper this would be comical to watch as well, if there was ever anyone there to see it. The problem is that we are built with just two hands and we have become used to doing most things using those two hands. Let me point out that holding a fishing rod, winding a reel, handling a landing net, holding on while leaning over the side of a rocking boat and operating a camera exceeds the number of hands required by about three times. Some tasks can be delegated to armpits, mouths, between the thighs or knees and to toes tucked under the chine rail in the boat but really the task would be better suited to someone designed more like an octopus. Who said men couldn’t multitask? The good news is that to date I haven’t destroyed any of my cameras from getting them wet and I’ve only smashed one lens by having the camera “bounce” on the floor of the boat. Oh well, some things we only learn by saying “I’ll never do that again.”
Those in show business will tell you that you should never work with children or animals. I would suggest that a photographer should never work with live fish and anglers in a watery environment. Unfortunately I’m not bright enough to have learned that some things are just too hard. Instead I’m driven by conquering challenges and asking that rhetorical question; “how hard can it be?” When we see some stunning fishing images in print and digital media it is almost always assumed that there was someone behind the camera as well as someone in front of it. That isn’t always the case, it may be that you are looking at a felfie.

Postscript.

Having completed writing the Fishing Selfies story and prepared the images to accompany the piece, I thought that one more shot of how the images were made would be a great addition. A shot of a camera taking the photograph all set up in the river while I fished was what I was after. It required two cameras, two tripods. One on the gravel beach, the other in the water, both set up with remote shutter timers. I set it up and all was going to plan until I hooked a trout and it shot into the shallows, round the legs of the tripod and up the river.
The unexpected (and the unthinkable) happened. It felt like swimming in jelly as reality slowed and there was someone reaching and I heard someone yelling “nnnooooooooo.” It turns out it was actually me reaching and yelling. The tripod, camera and timer toppled backwards into 4 or 5 inches of water where the camera lay on its back like some digital submarine with an expensive lens like snorkel. The camera got wet while the lens didn’t and it would be best to simply suggest that the camera just stopped working. Water ran out of it when I picked it up. I landed and killed the fish, I took it home and gave it to Mrs. Smith. She likes trout. I told her it was a $700 trout and that I hoped she enjoyed it.
You know what they say… never say never. Certainly never say “I’ve never got a camera wet before.” In the immortal words of Homer Simpson… Dooohh!

This article was first Published in New Zealand Bay Fisher Magazine.
© Tony Dawson and New Zealand Bay Fisher.

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