10/03/2017
LISTENING TO THE RAIN, PAINTING THE RAIN
Wang G*i (1677–1705) was a scholar artist. He was a native of Xiushui, Zhejiang province, but lived in Nanjing for most of his life. Wang is the famous author of “Jieziyuan huajuan” (Mustard Seed Garden Manual of Painting), the influential Chinese instruction manual on painting. In “Listening to the Rain,” on the first page of this album, the artist wrote a poem about Jiangnan (the area of China south of the Yangzi River):
Trees full of blossoming wisteria cover thatched huts
Waterbirds stand in a lake of spring water
Fishing boats, facing my window, take shelter for the night
At dawn, misty lamps resemble a string of stars.
Beyond my boat, lake clouds are like flowing water,
Ten miles of beaded curtains bring back memories of Yangzhou.
This solitary sail only allows me to keep a long flute,
fully loaded with wanderings through rain and mist in Jiangnan.*
The artist sits in a shelter by the edge of the lake and listens to the falling rain. Wang skillfully gives the sense of mist, rain, and windblown trees. Life may be turbulent, but we can still be calm and appreciate even the storms of life. If we are cultivated people, as the ancients would have us be, then we can bear buffeting conditions—and even make art that lasts longer than any event.
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Landscape, 17th century
Wang G*i
album: ink and pigment on paper, 12 leaves, silk and cardboard, glued concertina binding
24.6 x 32.3 cm (image) 27.2 x 36.0 cm (page)
National Gallery of Victoria, Melbourne
* http://www.ngv.vic.gov.au/essay/three-perfections-poetry-calligraphy-and-painting-in-chinese-art/