School of Chinese Martial Arts Ireland

19/05/2026

Foshan,China with Ou Rong Ju Shifu and Derek Frearson Shifu

05/05/2026

https://youtu.be/60NrJXm_lvc?is=_5vuRX4F-qFN1430

Thank you for watching. Who was farmer burnsMartin "Farmer" Burns https://share.google/SBY79FlP4eKDX3NDo Find video here of his solo bodyweight exercises htt...

19/04/2026

Visting a wing chun school in foshan,China.
I can't remember the lineage, possibly Yuen Chai Wan (阮济云) branch

16/04/2026

ITSWA training camp 20+ years ago

11/04/2026

Omaha, USA 2010
Training in Yiliquan under sifu Phillip Starr

10/04/2026

Hong kong 2001

09/04/2026

USA Xingyi training camp 2003
Manchester, UK - Iron palm training 2001/2
Under sifu James Mcneil

08/04/2026

School of Zhong lian bao shifu.
Yantai, China

08/11/2025

https://www.facebook.com/share/p/17aVPsiYRh/

In Karate, there is a widespread belief that if one simply performs kata long enough, with enough polish and grace, understanding will appear on its own. The body will absorb meaning through repetition. The practitioner will become refined. So the training becomes a slow polishing. Angles corrected. Lines straightened. Posture level. Breathing measured. The kata gleams with aesthetic perfection.

It is not unlike the Japanese practice of dorodango. One takes a handful of ordinary dirt, presses it into a sphere, wets it, dries it, polishes it over and over until it shines. The result is beautiful. But it is still a ball of dirt. It does not gain new function. It does not become more capable. It simply becomes more pleasing to look at.

Kata, when treated the same way, suffers the same fate.

Many practitioners attempt to polish kata as if the polishing itself carries wisdom. They repeat forms year after year, but the external shape is the only thing that changes. They become elegant movers of air. Their kata shines like lacquer under good lighting. Yet when confronted with the physical reality of another person’s violence, the kata cracks. Timing is off. Distance is misjudged. Power lacks root. The hands know the dance, but not the fight.

Because kata was never meant to be polished into a decorative object.

Kata is a record of tactical solutions to violent problems. Each motion is a response to something. A grab. A strike. An attempt to seize the throat or pull you to the ground. Kata is a memory of conflict, encoded so that it could be passed from one generation to the next. If the practitioner does not seek that memory, if they do not explore the pressure, the angles, the impact, the grappling, the entries and exits, then the memory is lost. What remains is choreography.

The futility is not in kata itself. The futility lies in believing that polishing form alone develops function. Dirt cannot be polished into steel. And kata cannot be polished into skill without contact, application, correction, and the honest chaos of training with another person who is trying to shut you down.

If kata is to mean something, it must be unpacked, tested, stressed, and rebuilt under pressure. It must be tied to drills, partner work, and varying intensities. It must breathe. It must struggle. It must fail and be refined through that failure.

Otherwise, it is only dorodango. Beautiful, fragile, admired from a distance, but empty when needed.

The world does not need more dirt polished into spheres.
The world does not need kata performed like theater.
The world needs people who can understand conflict and navigate it with skill, clarity, and restraint.

Kata can be that path.
But only if we remember what it was meant to teach.