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Jessliz ASMR I share Wing Chun videos every day. If you like them, please follow me. Thank you very much for watching and liking!

21/07/2026

wing chun

Punch hides sharpness; Jeet Kune Do bears chivalry
19/07/2026

Punch hides sharpness; Jeet Kune Do bears chivalry

6 months later, I'd like to share this unique photo!   and his students |
18/07/2026

6 months later, I'd like to share this unique photo! and his students |

What memories does it stir up in you
17/07/2026

What memories does it stir up in you

Ipman & BruceLee
17/07/2026

Ipman & BruceLee

SammoHung is among my favorites
16/07/2026

SammoHung is among my favorites

Siu Nim‑Tao (Little Idea) forms the foundational form of Wing‑Chun Kung‑fu. Below are its boxing maxims and breakdown of...
15/07/2026

Siu Nim‑Tao (Little Idea) forms the foundational form of Wing‑Chun Kung‑fu. Below are its boxing maxims and breakdown of movements:

1. Ready Stance
Relax your whole body and stand with feet together. Let your arms hang naturally alongside thighs. Press your tongue against the upper palate, gaze straight ahead and breathe evenly.
2. Yee‑Ji Kim‑Yeung Ma (Two‑Character Goat‑Stance)
Bend knees slightly. Clench your fists and lift them firmly to either side of your chest. Draw your elbows backward until you cannot pull further, then hold fists tight against your torso.
Pivot outward with your heels to align feet in a straight horizontal line; then rotate on your soles to spread feet outward into a figure‑8 shape. Tuck and lift your knees inward, sink your chest and elongate your spine, drop shoulders and straighten your neck, slightly tuck your chin and keep your hips from sticking out. Place your body‑weight along the line connecting the centres of your two feet. Viewed from the side, your posture resembles an inverted‑S curve.
3. Lower‑Crossing Gau‑Sau (Ploughing Hand) → Rolling Forearms → Upper‑Crossing Tan‑Sau (Opening Hand) → Fist Retraction
Drive power from your elbows to turn fists into palms. Thrust hands down‑forward in a crossed position with the left palm over the right one; keep your knuckles upward and palms facing down to form Lower‑Crossing Gau‑Sau.
Continue pushing with elbows to raise your crossed forearms, rolling and propping them upward and forward while maintaining the crossed posture. The left forearm sits inward and the right one outward, knuckles facing out and palms turned inward to complete Upper‑Crossing Tan‑Sau. Afterwards, pull your fists swiftly back to both sides of your chest by retracting your elbows.
4. Left Yat‑Ji Chung‑Kuen (Vertical‑Line Punch) → Left Tan‑Sau → Left Wun‑Sau (Circling Hand) → Fist Retraction
Rub and rotate your left arm inward along your left ribs, bringing your left fist to a fist‑length in front of your heart and pause briefly. Generate force from beneath your elbow to fire the left‑fist briskly forward‑upward at a 45‑degree angle along your centre‑line and fully straighten your arm for a standard left Yat‑Ji Chung‑Kuen.
When your left arm reaches full extension, change your fist to an open palm with the palm facing up and knuckles down to perform Tan‑Sau. Without pausing, circle your palm outward around your wrist axis. Clench your hand into a fist after one full rotation around the wrist and pull it back by elbow‑power.
5. Right Yat‑Ji Chung‑Kuen → Right Tan‑Sau → Right Wun‑Sau → Fist Retraction
Rub and rotate your right arm inward against your right ribcage and bring your right fist a fist‑length before your heart then pause. Using power from under the elbow, shoot your right‑fist briskly forward‑upward at a 45‑degree angle on your central line and straighten the arm fully for the right Yat‑Ji Chung‑Kuen.
When your right arm is fully stretched, shift your fist to an open palm with its surface facing up and knuckles down to execute Tan‑Sau. Keep continuous movement, loop your palm outward pivoting around your wrist. Form a fist after a full wrist‑circling and retract it with elbow‑strength.

Cross ready‑made bridges; forge your own when there are none.
15/07/2026

Cross ready‑made bridges; forge your own when there are none.

李小龍從小在香港的街頭與武館裡長大,電影、戲劇和功夫早早進入他的生活。年輕時,他帶著對武術的熱情前往美國,一邊學習一邊教拳,漸漸走出一條屬於自己的路。他不只是會打,更想重新定義中國武術。他融合多種格鬥技巧,強調速度、靈活和實戰,把傳統功夫變...
13/07/2026

李小龍從小在香港的街頭與武館裡長大,電影、戲劇和功夫早早進入他的生活。年輕時,他帶著對武術的熱情前往美國,一邊學習一邊教拳,漸漸走出一條屬於自己的路。

他不只是會打,更想重新定義中國武術。他融合多種格鬥技巧,強調速度、靈活和實戰,把傳統功夫變成一種更開放、更現代的表達方式。後來,他以電影《唐山大兄》《精武門》《猛龍過江》等作品震動影壇,讓全世界看見東方武術的力量與美感。

他的成功並非偶然。拍戲時,他對動作要求極高,每一拳、每一個踢腿都充滿爆發力;鏡頭前,他自信、敏捷,又帶著一種不服輸的精神。他讓「功夫」兩個字走向國際,也讓華人演員在世界舞臺上留下強烈印記。

可惜的是,他的生命停得太早。但直到今天,他依然是許多人心中的功夫傳奇。他代表的不只是武術,更是一種堅持、一種自信,和一種把東方力量帶向世界的勇氣。

Robert Downey Jr.
10/07/2026

Robert Downey Jr.

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Chongqing
Nanan

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