Light Horse Studio

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Those who follow Buck have to be some of my favorite to watch. Always so soft, unrushed, beautifully balanced. There's N...
09/09/2026

Those who follow Buck have to be some of my favorite to watch. Always so soft, unrushed, beautifully balanced. There's NO fussiness. It's just chefs kiss

He does it right without needing to hide behind long exasperated biomechanic explanations that every trainer seems to have their own different take on. The proof is in the pudding, you rarely see horses this beautifully balanced.

How do you know when a rider is ready to canter?One of my biggest prerequisites is something surprisingly simple: a func...
09/07/2026

How do you know when a rider is ready to canter?

One of my biggest prerequisites is something surprisingly simple: a functional two-point position.

And an important distinction: two-point is not a self-support exercise.

The goal is not to hold the body rigidly above the saddle through muscular effort, lock the joints, or “stand” in the stirrups. A rider doing that may technically remain out of the saddle, but they aren't necessarily balanced with the horse.

A functional two-point is dynamic balance.
The rider's centre of mass stays organized over their base of support while the hip, knee and ankle remain sufficiently supple to accommodate the horse's movement.

The leg provides stability, but the joints continue to articulate. The rider is supported by balance and alignment not by bracing against the stirrups, pinching with the knee, gripping with the thigh, or holding themselves up with the reins.

Before I ask a rider to sit the canter, I want to see that they can maintain this position while steering, changing direction and managing an appropriate contact. Their lower leg needs to remain reasonably stable underneath them, and their upper body needs to respond to changes in the horse's movement without becoming rigid or dependent on the hand.

That matters enormously when we introduce canter.

The upward transition creates a rapid change in the movement of the horse's back. An inexperienced rider will often get behind that change. The pelvis gets left behind, the upper body tips backward, the lower leg shoots forward and the reins become the emergency handrail. Now the horse can end up receiving a driving or bouncing seat at the same time as a restrictive hand. They get lost in the sauce of it and if you don't give a rider a point of reference to reset themselves, such as two-point, it turns into something close to scrambled eggs.

I see this time and time again at riding schools and it is really not fair to the horse or rider to do.

This is why, regardless of discipline, I've used two-point for the first canters time and time again.
Initially, I don't particularly care whether the rider can sit the canter.

I care whether they can stay with it without interfering with it.

Two-point temporarily removes some of the complexity of having to organize the pelvis around a three-beat gait before the rider has learned what that movement feels like. The hip, knee and ankle can accommodate the motion while the rider learns to manage their own balance over the horse.

It is something they can practice and be familiar with they can carry into the canter and it makes it a lot less intimidating

It also helps prevent the very common beginner cycle of landing heavily on the horse's back, being displaced again, catching the horse in the mouth, and then repeating the whole thing on the next stride.

So initially, we canter in two-point.

We establish direction, rhythm and an appropriate elastic contact.

And we let the canter become less wonky.
Once the rider can remain organized with the movement, we begin introducing the seated canter in small pieces.

Sit for a few strides.
Feel what the horse's back is doing.
Allow the pelvis to follow.
And as soon as the rider starts losing that ability where the pelvis braces, the shoulders begin pumping, the lower leg destabilizes or the hands become responsible for balance --> we return to two-point.

Two-point becomes a reset, not an escape.

Rather than allowing three unbalanced strides to become twelve increasingly unbalanced ones, the rider returns to a position where they can reorganize their balance, restore their contact and find the horse's rhythm again.

Then we try sitting again.

Three balanced strides become five. Five become ten.

Eventually the rider develops the dynamic stability and pelvic mobility required to remain with the horse throughout the canter stride without gripping, driving, bracing or balancing on the reins.

And this is where the humble neck strap deserves far more credit than it gets.

A neck strap provides a momentary stabilizing point without making the horse's mouth responsible for the rider's balance. It can be particularly useful through the transition, when acceleration is most likely to displace a novice rider.

It also teaches an important concept from the beginning:

Contact is communication. It should never be the rider's support system.

For me, readiness to canter isn't determined by how many lessons someone has taken.

I'm looking for a stable lower leg, functional joint mobility, steering, developing independence of the hand, an understanding of contact, and enough body awareness to recognize when balance is beginning to deteriorate.

Learning to canter is continually reorganizing your own centre of mass in response to the movement of the horse underneath you.

The best way to teach a rider to sit the canter well is to first teach them how *not* to interfere with it and teach them their balance safety net beforehand.

Nunn Finer hackamore - Horse sized$155 + Tax New price Asking $80 (New without tags)Shipping availableLocated Cambridge ...
09/07/2026

Nunn Finer hackamore - Horse sized

$155 + Tax New price

Asking $80 (New without tags)

Shipping available

Located Cambridge NS

09/06/2026

When someone lets you ride their horse, listen to them.

Even if they tell you the sky is green.

When someone puts you on their horse, they are trusting you with something that matters to them. And if they are trying to teach you something, your job isn’t to immediately decide whether you agree with it.

Try it.

Listen.

Feel what they’re asking you to feel.

Because sometimes what sounds strange from the ground makes a whole lot more sense from the saddle.

And sometimes the thing they are asking you to do isn’t even really about the horse. They’re trying to teach you something.

There is plenty of time to ask questions afterward.

There is plenty of time to say, “I’m not sure I understand why you want me to do that.”

But while you’re riding someone else’s horse, give them the respect of actually listening to them.

They trusted you enough to put you on their horse.

Be humble enough to learn from them.

Thanks for listening Kristi Reedy

It's never in bad taste to wear a helmet.
09/05/2026

It's never in bad taste to wear a helmet.

09/04/2026

The nicest I've seen in a long time! I find often these movements are too rushed before the horse is balanced enough to do so. Better to slow it down a micrometer than to make it look quicker and more impressive.

https://www.facebook.com/share/r/1RyKUqhEgs/

Paisley & Ada today Equus Salutis
09/01/2026

Paisley & Ada today Equus Salutis

If your horse has “ring anxiety,” when I was a kid we called it ring sour. And I think the change in terminology matters...
08/31/2026

If your horse has “ring anxiety,” when I was a kid we called it ring sour. And I think the change in terminology matters more than we realize.

Anxiety describes what the horse is experiencing. It is very easy to say that is just what the horse "has" almost as if it spurred from the horse itself.

Ring soured describes what happened TO them. The onus is more on the system and there is an exterior issue.

Horses aren't born knowing what an arena is. They aren't born hating a show pen, dreading the gate, anticipating the rollback, resisting the rail or shutting down the moment their feet touch familiar footing.

Those associations are learned and curated.

And I think the horse industry has become increasingly comfortable medicalizing or temperament-labeling behaviours that sometimes deserve a much harder look at the training system that produced them.

Why do we see so much ring sourness in certain industries?

Look at the industries where horses are started young.
Look at the disciplines where enormous amounts of money, prestige and breeding value are attached to what a horse can accomplish at two and three years old.

Look at futurity systems.

Look at how much repetition can be required to manufacture the degree of precision expected from an animal that is still physically and mentally developing.

Reining horses aren't born knowing they need to slide.
Pleasure horses aren't born knowing they should travel with extreme consistency around a rail.
Cutting horses aren't born understanding that their value may depend on being competitive as three-year-olds.

We create those expectations.

And then sometimes we act surprised when the horse eventually says, I don't want to go in there anymore.

We give that behaviour a diagnosis.
We call the horse anxious.
We call them difficult.
We call them gate sour.

We inject joints. Change bits. Change supplements. School them harder. Longe them before we ride them. Send them to another trainer.

But how often do we question the timeline?
How often do we question the amount of repetition?
How often do we question an industry structure that financially rewards getting more out of younger horses?

Because this isn't simply about “bad trainers.”
You can have talented, compassionate trainers working inside a system that still incentivizes too much, too soon. I would like to note that even though it is most prevalent here, you can ring sour an aged horse as well who doesn't have enough variation in work.

That's an important distinction.

When the biggest opportunities of a horse's career happen at two, three and four, the industry has created a clock.

And somebody is always racing it.
So we drill.
Circle after circle.
Transition after transition.
Maneuver after maneuver.
Lap after lap around the same arena.
The horse learns very quickly that the arena predicts pressure.

The gate predicts pressure.
The warm-up pen predicts pressure.
Eventually the horse doesn't need to wait for the rider to ask for anything.
Their body already knows what's coming.
That's conditioning.

We happily take credit when conditioning produces a horse that walks into the pen and performs automatically.
We should be equally willing to take responsibility when conditioning produces a horse that doesn't want to walk into the pen at all.

And maybe that's why I hesitate when every expression of resistance gets folded neatly under the word “anxiety.”

Of course horses experience anxiety.
Of course some horses are naturally more sensitive than others.

Pain must also be investigated whenever behaviour changes.

But sometimes anxiety isn't the beginning of the story.
Sometimes anxiety is the consequence.
The horse is anxious because we've taught them exactly what that environment predicts.
That's ring sour.

And fixing it shouldn't mean finding a better way to make the horse tolerate the same program.

It should mean being willing to change the program.
More variety.
Less drilling.
More time outside an arena.
More turnout.
Less big corrections over little mistakes of a trying animal.
More recovery.
Later expectations.
Shorter sessions.
More opportunities for the horse to finish before they're mentally exhausted.

And perhaps most controversially:
Maybe some competitions simply ask too much, too young.

If an industry consistently produces horses that need maintenance, rehabilitation, behavioural troubleshooting or retirement from the very environment they were bred and trained to perform in, we shouldn't only be asking what's wrong with those horses.

At some point we have to be brave enough to ask what's wrong with the system.

A horse refusing the arena isn't failing its training. It's telling us exactly what the training taught it.

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