02/06/2026
From Darwin to Kyoto 🎮🗾🐨
The Array was proud to support our members at one of the world's leading independent video games events last week, BitSummit in Kyoto - and we're buzzing to share what went down.
Daniel Ferguson made the trip as one of only 8 Future Leaders of Australia, showcasing Ascent of the Last Colossus - a title that's already secured over $100K in combined funding and is actively seeking further investment. The enthusiasm from investors and players alike was everything. This game has something special, and the world is starting to notice.
Luke Fronsko brought an early-stage prototype of his classic arcade shooter - and it was an absolute hit (honestly, was there ever any doubt? Japan invented this genre). Funding conversations have started. Fingers crossed. 🤞
Skye Lavelle and Declan Smyth of Hex Bound fame (funded $60K+) are currently living in Japan, soaking up the culture and building the kind of networks you can only build by actually being there. They were kind enough to guide us through the cultural nuances along the way (we owe you both a feed when you "eventually" come home to the Territory. 🍜)
Beyond the NT contingent, it was a privilege to connect with Ling Bai and the team at Eliphant to explore how organisations like The Array can meaningfully engage Japanese audiences.
Australia showed up strongly. Huge thanks to the Screen Australia team, Joey Egger and Dakoda Barker, for equipping all the Future Leaders with the showcase space, pitching skills, and general support to make the most of every investment conversation.
And shoutout to Vee Pendergrast for sharing such a candid and generous lens on the New Zealand approach to game funding. Different context, different model - always illuminating, and always a pleasure to play anything coming out of NZ.
The big takeaway? Games aren't just a remarkable way to share our culture with the world. They're a genuine driver of local economy. Darwin-made, globally played. With Asia right on our doorstep, and with our games are landing incredibly well in that market, these excursions are essential.
Something that is no stranger to Jennie Hughes and the team from Screen Territory, as well as the Northern Territory Government, who continue to back NT creatives to get on planes, get in rooms, and get their projects in front of the right people.
Investment, networks, and opportunities don't fall from the sky, they're built, relationship by relationship, event by event.
This is how a creative industry grows.
Stay tuned for updates when we get them!
