07/05/2025
We spent July 4th in New York City at the only place that felt right: watching an Indigenous parody reimagining of Grease at .
Set in a universe where the Indigenous peoples of this land were never colonized, Bear Grease retools the familiar musical with parody and cultural references. Co-writer Henry Cloud Andrade () shared that this is only the second all-Indigenous musical to appear on Broadway (off or on), and that their goal is for audiences to “see us as we really are.” This production is part homage, part cultural infusion, and entirely its own thing.
It’s creative, witty, relevant, joyful, and unapologetically original. The Grease songs you think you know and love are infused with Cree (Nêhiyawêwin) language, cultural references, and moments that made us collectively hold our breath and break into laughter. There are also new songs that blend doo-wop with hip hop in ways that are both unexpected and seamless.
My standout moment: Bryce Morin’s rendition of Hopelessly Devoted - with his drum and voice - felt like a ritual and a release. I would absolutely listen to that track on repeat. (No pressure, but maybe release it. Please.)
Crystle Lightning and Henry Cloud Andrade (and the entire cast and creative crew) have created something special. It’s smart. It’s full of heart. And it’s doing something rare in theatre: holding grief and joy, critique and celebration, all while making you laugh out loud.
And as if I wasn’t already fully on board, Henry Cloud Andrade has also published coloring books.
More storytelling, more joy, more art.
Yes, please.
Thanks and 🩷
robinson10