John Kreng - Reel Kinetic Films

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John Kreng - Reel Kinetic Films Cinematic Sports Filmmaker using Netflix-approved Sony Cine cameras to craft high-energy visuals for athletes, teams, and brands. Founder of Reel Kinetic Films.

Official page for John Kreng- Director- Producer- Writer- 2nd Unit Director- Stunt Coordinator- Fight Choreographer. www.reelkinetic.com

This is interesting at 4K at 240fps
25/10/2026

This is interesting at 4K at 240fps

GoPro's $700 MISSION 1 PRO ILS 8K interchangeable-lens cinema camera has been named one of TIME's Best Inventions of 2026.

Dear Los Angeles,One of the most important things I learned from living here is that creativity has value.In other place...
10/10/2026

Dear Los Angeles,

One of the most important things I learned from living here is that creativity has value.

In other places I’ve lived, I’ve often felt the pressure to choose something more predictable. My aspirations—and the life I wanted to build around them—were sometimes considered fringe, impractical, or too far outside the box. Here, I found people who understood the desire to take an idea that exists only in your head and do the work to bring it to life.

That meant something to me. It still does.

You’ve embraced and encouraged us, giving us the freedom—and the unspoken permission—to keep reinventing ourselves. To grow beyond who we are today and move toward who we believe we can become.

You gave me the freedom to wear many different creative hats. I’ve been a stand-up comedian, stuntman, video game producer, journalist, published author, optioned screenwriter, stunt coordinator, director, second-unit director, cinematographer, producer, editor and filmmaker. None of those paths would have come to life without the creative and entrepreneurial freedom Los Angeles has understood and encouraged for so long.

Here, I never felt that I had to be only one thing. I could follow an idea, learn a new craft, collaborate with people in different fields, and build a career out of seemingly unrelated passions. Each experience informed the next. Each role opened a new door. Along the way, I learned more about myself and discovered possibilities I didn’t know existed.

Those experiences have now come together in Reel Kinetic Films, the company I founded to create cinematic sports and action storytelling. It brings my background in performance, writing, action, and filmmaking into the way I capture movement and tell human stories. To me, it’s a culmination of the creative life I’ve built here in Los Angeles—and the beginning of what comes next.

You understand that when we create, we’re often reaching toward our higher selves. We’re trying to give form to something we feel deeply, and in the process, discover what else we’re capable of.

You’ve given me room to become someone I couldn’t fully imagine when I arrived. And you still give me room to keep becoming.

Loving you doesn’t mean I think you’re a utopia. There’s conflict here, turmoil, and real disagreement about where this city is heading and whose needs are being heard.

But I also love being able to experience so many cultures here—through food, language, music, art, friendships, and everyday encounters. We bring different histories and ways of seeing the world. Living alongside one another gives us opportunities to question what we know, discover something unfamiliar, and let those experiences shape what we create.

To me, that’s the promise of this city’s cultural melting pot: learning to see beyond our differences while appreciating and celebrating what makes each of us distinct. And through those encounters, we discover how much we share—the desire to belong, to care for the people we love, and to build a meaningful life. Those connections give us reasons to come together.

That doesn’t erase our differences or solve our problems. It gives us something worth caring for as we work through them.

I love this city for the people who make things. The artists, craftspeople, writers, performers, filmmakers, musicians, designers, and the people whose ingenuity doesn’t come with a professional title. People who look at what’s available, figure out what’s missing, and find a way.

I’ve spent years working alongside them. I’ve seen what happens when the money is short, the clock is running, and something that worked yesterday suddenly doesn’t work today. Someone asks a question. Someone tries an unexpected approach. We work through it together. Eventually, there’s something in front of us that didn’t exist when we started.

That’s the Los Angeles I know.

Right now, this city is going through a change that feels deeply unsettling. For those of us whose livelihoods are tied to creating, the uncertainty is personal. There are bills to pay, people to care for, and years of hard-earned experience we still want to put to use. Loving the work doesn’t make any of that easier.

I won’t pretend to know exactly what comes next. I’m trying to figure out my place in it, too.

I understand the sense of doom. But I also see possibility in having filmmaking tools within reach that once felt out of reach. Having the means to shoot and edit our own work gives us more control over what we make and more freedom to get started without waiting for a gatekeeper’s approval. Financing a project and finding an audience still take work, but being able to put an idea into motion matters.

I believe we’ll see more independent projects grow from that freedom. Creative entrepreneurship has a persistent source: our desire to express ourselves, explore the human spirit and its potential, and entertain people. I don’t believe that desire can be extinguished. I believe we’ll keep finding ways to give it form.

Our creativity and ingenuity helped build this city, and we still carry those abilities with us. We can put them toward new ways of working, new collaborations, and opportunities we may have to create ourselves.

I believe in this city and the people who have supported and encouraged its creative entrepreneurs. That support reaches beyond those of us making the work. It reaches the audience who needs a laugh, a moment of wonder, or a story that helps them feel understood. Entertainment can give people a needed break from the pressures of their lives—a chance to return to their jobs, their families, and their responsibilities refreshed, perhaps with a new perspective or a renewed sense of purpose. I want us to keep making room for work that can do that.

That will take more than telling each other to stay positive. It means hiring one another when we can. Making introductions. Sharing opportunities. Recognizing the value of someone’s experience and paying for their work. Giving a new idea enough room to become something.

And you’ve given me more than a creative life. Here, I found my beautiful life partner, Melissa for the past 15 years and our beloved fur baby, Princess. Together, we’ve built a life that makes this city home. They’re part of what I love about you, too.

Los Angeles gave me collaborators, friendships, and chances to attempt things I might otherwise have kept to myself. It gave me the freedom to explore more than one identity, to take creative risks, and to turn ideas into a life and a livelihood. I want that possibility to remain here—for those of us still working and for the people just arriving with an idea they can’t let go of.

I believe we will evolve and survive this change. The path may be difficult, and we’ll need each other along the way.

I still love you, Los Angeles. And I still have a lot of work I want to make here.

With love,
John Kreng
Reel Kinetic Films

Same frame. Four stages. What changes—and why?For Field Notes  #007, I go behind the scenes of an interview with martial...
06/10/2026

Same frame. Four stages. What changes—and why?

For Field Notes #007, I go behind the scenes of an interview with martial arts film legend Delon Tan, from lighting and anamorphic lens choices to building the final color in layers.

If color grading feels daunting, I break down my approach one step at a time, showing what each adjustment contributes to the finished image.

From Capture to Color: Shaping the Look of an Interview

John Kreng shares how lighting, anamorphic lenses, and color grading shape an interview with martial arts film legend Delon Tan, from capture to final color.

The filmmaker in me saw a $2,245 cinema camera and started making room in the bag.The business owner in me wanted to see...
10/09/2026

The filmmaker in me saw a $2,245 cinema camera and started making room in the bag.

The business owner in me wanted to see the rest of the bill.

The Blackmagic PYXIS 6K got my attention. But lenses, workflow, and the demands of live sports make this a bigger decision than the price suggests. And then there’s the Sony FX5.

In my latest Field Note, I work through the temptation—and what a new camera would actually need to bring to my work.

What would make you change camera systems?

Read the article: https://www.reelkinetic.com/field-notes/pyxis-6k-bargain

Is the $2,245 Blackmagic PYXIS 6K worth adding to a Sony FX3 and FX6 kit? A sports filmmaker weighs switching costs, workflow, and the tempting Sony FX5.

31/08/2026

ONE KNOCKOUT. TWO PERSPECTIVES.

First, experience the moment from outside the camera as Reel Kinetic Films founder John Kreng shoots cageside at Up Next Fighting 34.

Then, see the same knockout as he captured it through his lens.

No music. No recreation. Just the fighters, the crowd, and the consequence of an unscripted moment.

THROUGH MY LENS: A CAGESIDE KNOCKOUT

Reel Kinetic Films creates cinematic short films from unscripted moments in sports.

NOW PLAYING ON YOUTUBESTORIES WITHOUT WORDSThe Art of Nonverbal Sports StorytellingThank you to everyone who has already...
26/08/2026

NOW PLAYING ON YOUTUBE

STORIES WITHOUT WORDS
The Art of Nonverbal Sports Storytelling

Thank you to everyone who has already watched the film.

Stories Without Words explores how anticipation, conflict and resolution can transform unscripted competition into a cinematic experience—without dialogue or narration.

For teams, athletes, events and brands, sports storytelling can create something that scores and highlights alone cannot: an emotional reason for audiences to care.

After watching, tell us in the YouTube comments:

Which moment—or which movement—connected with you most?

Watch the complete film in 4K UHD. Link in the first comment.

Created by John Kreng and Reel Kinetic Films.

25/08/2026

The most meaningful sports stories don’t begin with the highlight—or end with the result.

They begin with anticipation, intensify through conflict, and remain with us through resolution.

STORIES WITHOUT WORDS
The Art of Non-Verbal Sports Storytelling

A multi-sport cinematic study from Reel Kinetic Films, created without voiceover or interviews. The story is carried by movement, rhythm, sound, and human emotion.

Premieres August 26 at 9:00 AM PT on YouTube. Presented in 4K UHD.

https://www.youtube.com/

Because every movement tells a story.

18/08/2026

Some moments are too complete to reduce to a highlight.

While editing our new combat sports cinematography reel, this finishing sequence from Morales vs. Miller at Next Up Fighting 34 was originally intended to appear as a short excerpt.

But the escalation was the story.

Pressure. Survival. Pursuit. The finish.

So we let the complete moment stand on its own.

MORALES vs. MILLER

Filmed & edited by John Kreng
Reel Kinetic Films

This isn’t coverage. It’s the moment — shaped cinematically.

06/08/2026

It’s official.

Today marks more than the release of a new teaser.

It marks the beginning of a new chapter.

Reel Kinetic Media is now Reel Kinetic Films.

The name has changed because the vision has become clearer.

My goal has never been to simply document sporting events. It has always been to craft cinematic films from real moments where preparation, pressure, and consequence collide.

I’m honored that the Golden State Open Judo Championships entrusted me with creating the first look at the upcoming film from this year’s event.

This teaser is only the beginning.

The full film is coming soon.

Thank you to the Golden State Open and USA Judo for the opportunity.

Reel Kinetic Films creates cinematic short films from unscripted moments in sports.

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