06/03/2026
“Just because it’s not written down, or you don’t believe something because there is no record of it, it doesn’t mean it is not real. The narrow mindedness of many people is extensive.
The most important teachings are Kuden 口伝 ( oral transmission ) Taiden 体伝 ( physical transmission ) and Shinden 心伝 ( heart to heart transmission ).
Only those with direct experience of these will truly understand.”
Recently, I watched a documentary about a group of Ainu women who have dedicated their lives to preserving an ancient form of craftsmanship. For more than twenty years, they worked tirelessly to have their sacred tradition officially recognised and accredited as a traditional art form by the authorities in Tokyo.
The process took so long for a simple reason: Ainu culture transmitted its knowledge orally. Their history, techniques, and lineage were passed from generation to generation by word of mouth. Nothing was written down. There were no documents to establish timelines, no formal records to present as proof. And because of this, the governing institution required evidence that did not exist on paper.
Yet the tradition existed. It had always existed.
It simply lived in people rather than in archives.
Just because something is not written down does not mean it is not authentic. It does not mean it lacks legitimacy or truth. Many traditions throughout history did not record their methods or trade secrets — sometimes intentionally, sometimes because writing was not their way. The absence of documentation is not the absence of reality.
The most important aspect of transmission has always been direct human interaction.
This is how many arts survived for centuries within families and close-knit communities. They endured because they were lived, embodied, and shared directly.
Unfortunately, history has also shown us that many traditions have disappeared due to circumstances beyond their control. War, assimilation, social change, and modernisation have erased countless living lineages.
This should give us pause.
If we care about the arts we practise — if we value what has been entrusted to us — then we must think carefully about how we protect and preserve them. Not for recognition. Not for bureaucracy. But for the betterment of humanity.
南虎